Does Stateless Hit The Mark?

If you didn’t watch the ABC television series called Stateless, then you can now view it on Netflix.

The show purports to raise an important issue we rarely see on our screens – that of asylum seekers.

And yet, despite all the publicity the show has raised about the very real issue of refugees and asylum seekers – this important topic seems to be secondary to the main storyline which is all about a ‘white girl’ who somehow accidentally ends up in a detention centre.

Executive producer, Cate Blanchett, and writer, Elise McCredie, are old school friends and they’ve said they were shocked to hear the story of a ‘white girl’ who ended up at Baxter Detention Centre in South Australia after several stints in correctional facilities.

The ‘white girl’ is Cornelia Rau – an Australian citizen of German descent. Blanchett and McCredie have said they were so fascinated by her story that they interwove it with three other storylines – and this is how they came up with television drama, Stateless.

But it does beg the question – can’t a story about refugees and asylum seekers stand on its own merit?

Do we really need to sensationalise this important topic with a more ‘interesting’ story about a ‘white girl’ who somehow ends up in a detention centre?

It seems that we do. By far the main character of the first episode of Stateless is Sofie (played by Yvonne Strahovski of The Handmaid’s Tale). We’re given all the details of Sofie’s background including her rather stern German family, who live in Sydney, Australia.

Stateless TV Show: Sofie (played by Yvonne Strahovski) as she dances while attending GOPA.

Sofie’s Story on Stateless

Sofie works as an airline stewardess and after a harrowing family Christmas dinner where she’s being set up with a potential partner, she escapes via her parents’ bathroom window (a scene which some reviewers have cited as ‘unlikely’) and soon after, we see Sofie dancing in a mesmerised state at a gathering of a group called GOPA.

Cate Blanchett performing on stage in Stateless.

Sofie becomes involved with GOPA and as other reviewers have written, this part of the storyline is not ‘wholly convincing’ and seems ‘over-the-top.’ GOPA is portrayed as a cult with Cate Blanchett and Dominic West playing the two leaders, Pat and Gordon.

Blanchett and West portray a grotesque pair of unlikeable ‘cult leaders’ but inexplicably, Sofie finds herself drawn into their influence.

Of course, things get worse and she becomes even more traumatised during her time at GOPA. When she leaves, we see her going for a swim and then shortly after, she turns up in the queue to enter a detention centre. How is this possible we ask?

Is this how it happened?

The makers of Stateless place this disclaimer at the beginning of the first episode: Although inspired by true stories the events and characters portrayed have been created for dramatic effect.

But the facts of what happened are available. Cornelia Rau was involved with a ‘cult’ when she was 32 years old. It was six years later when Rau was 38 that she was found at the Baxter Detention Centre in South Australia.

An investigation into the matter was held in 2005, called The Palmer Inquiry, and the ensuing report made no reference to the ‘cult’. Instead, the report examined all the checks and balances which were not adhered to, allowing the situation to occur.

But for drama’s sake, these elements of truth are not shown in Stateless and this renders the whole series a dramatic beat up with no resemblance to what were actually real-life events.

Ameer (played by Fayssal Bazzi) is an Afghan asylum seeker desperate to get his family to Australia.

Does Stateless hit the mark?

There are two other storylines in the first episode of Stateless and this is perhaps where the real stories lie. We meet the Afghan family trying to flee Afghanistan so they can provide a better life for their two daughters. The father of this close family, Ameer, is played by Aussie actor, Fayssal Bazzi, and we see him constantly battling to ensure his family’s safety.

The other linking storyline introduces us to a young, local family man called Cam (played by Jai Courtney of The Suicide Squad fame). His friends tell him he should get out of his dead-end job as a boiler maker and become a detention centre guard. In the end, he follows their advice and we can see there’s now a lot more in store for him.

There’s one other storyline which we don’t see in the first episode but it’s part of the second episode. It’s here we’re introduced to our golden girl, Asher Keddie, when she arrives to play Clare – sent in to clean up the PR mess which unravels at the detention centre when it becomes clear that a ‘white girl’ such as Sofie, should not be there.

Asher Keddie comes in as Clare in the second episode of Stateless, charged with cleaning up the PR mess that unravels.

So – is it worth watching?

There’s been a lot said about how Stateless is beautifully shot and features a star-studded cast. It’s great to see the ABC investing in a drama production with all the costs this involves. And while the first episode disappointingly concentrates on Sofie’s sensational personal story, the other storylines do show more perspective about what it’s like to be sent to a detention centre or to work at a detention centre – perspectives we haven’t been privy to much before.

Whether this is enough to keep Stateless relevant remains to be seen in the ensuing episodes. Social media is already cooking on this one – some are upset that an opportunity to make a real statement about asylum seekers has been lost. Others are simply happy to see a story about refugees is finally gracing our television screens.

Robyn Foyster

A multi award-winning journalist and editor and experienced executive, Robyn Foyster has successfully led multiple companies including her own media and tech businesses. She is the editor and owner of Women Love Tech, The Carousel and Game Changers. A passionate advocate for diversity, with a strong track record of supporting and mentoring young women, Robyn is a 2023 Women Leading Tech Champion of Change finalist, 2024 finalist for the Samsung Lizzies IT Awards and 2024 Small Business Awards finalist. A regular speaker on TV, radio and podcasts, Robyn spoke on two panels for SXSW Sydney in 2023 and Intel's 2024 Sales Conference in Vietnam and AI Summit in Australia. She has been a judge for the Telstra Business Awards for 8 years. Voted one of B&T's 30 Most Powerful Women In Media, Robyn was Publisher and Editor of Australia's three biggest flagship magazines - The Weekly, Woman's Day and New Idea and a Seven Network Executive. Her career has taken her from Sydney where she began as a copy girl at Sydney's News Ltd whilst completing a BA in Arts and Government at Sydney University, to London, LA and Auckland. After 16 years abroad, Robyn returned to Sydney as a media executive and was Editor-in-Chief of the country's biggest selling magazine, The Australian Women's Weekly.

This post was last modified on 24/06/2022 10:25 pm

Robyn Foyster: A multi award-winning journalist and editor and experienced executive, Robyn Foyster has successfully led multiple companies including her own media and tech businesses. She is the editor and owner of Women Love Tech, The Carousel and Game Changers. A passionate advocate for diversity, with a strong track record of supporting and mentoring young women, Robyn is a 2023 Women Leading Tech Champion of Change finalist, 2024 finalist for the Samsung Lizzies IT Awards and 2024 Small Business Awards finalist. A regular speaker on TV, radio and podcasts, Robyn spoke on two panels for SXSW Sydney in 2023 and Intel's 2024 Sales Conference in Vietnam and AI Summit in Australia. She has been a judge for the Telstra Business Awards for 8 years. Voted one of B&T's 30 Most Powerful Women In Media, Robyn was Publisher and Editor of Australia's three biggest flagship magazines - The Weekly, Woman's Day and New Idea and a Seven Network Executive. Her career has taken her from Sydney where she began as a copy girl at Sydney's News Ltd whilst completing a BA in Arts and Government at Sydney University, to London, LA and Auckland. After 16 years abroad, Robyn returned to Sydney as a media executive and was Editor-in-Chief of the country's biggest selling magazine, The Australian Women's Weekly.
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