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Shade Matching Is Broken. Here’s How This Beauty Brand Is Trying to Fix It

Stand under the fluorescent lights of any beauty aisle, and you’re basically running a science experiment on your own face: pick a shade, hope it oxidises the way you expect, and if it doesn’t, mix two bottles together or give up and go bare. It’s a ritual so familiar that most of us don’t clock how absurd it is – a multi-billion-dollar industry still asking customers to colour-match themselves under the worst lighting in the building.

The data suggests we’re not imagining the problem. In a March 2026 survey of more than 4,300 US women, only 22% agreed that beauty brands are genuinely inclusive with their shade ranges, while the majority said inclusivity is inconsistent – some brands get it right, most don’t. More strikingly, 61% of respondents with darker skin tones, and 39% of women overall, said they’d abandoned a brand entirely because its shade line-up failed them. Survey respondents also singled out complexion products for deeper skin tones, saying they offered far less undertone variety than lighter ranges and often skewed red or neutral when shoppers needed a warmer or cooler match.

None of this is new. Fenty Beauty‘s 2017 launch – arriving with 40 foundation shades on day one, rather than expanding “over time” as most brands had done – became the industry’s reset button, proving that broad ranges weren’t a niche cost centre but a commercial advantage. Nearly a decade on, the expectation it set has become the baseline customers measure everyone against. And yet the mismatch problem hasn’t disappeared so much as evolved: brands now offer wide ranges but thin depth, particularly in olive and deep undertones, and shoppers return mismatched foundation more often than almost any other beauty product.

The Real Lesson Wasn’t The Shade Count …

It would be easy to read Fenty’s story as a one-off launch moment. What’s more instructive is what the brand did after 2017: it kept building out a foundation ecosystem rather than treating one 40-shade range as the finish line. Today, that ecosystem spans several distinct formulas – Pro Filt’r’s natural matte finish, Soft’Lit’s luminous longwear formula, and the lighter-coverage Eaze Drop skin tint and tint stick – each carrying its own broad shade range, but each solving a different problem: oily skin versus dry, medium-buildable coverage versus a barely-there tint, a full routine versus a five-minute face.

That’s arguably a more honest model of inclusivity than any single launch can be. An extensive shade range still assumes one finish and one coverage level suits everyone within it – and skin type varies as much as skin tone does. Offering the same breadth of shades across formats built for combination, dry and oily skin is a quieter but more structural commitment than adding more bottles to one shelf.

Going Back to The Shade Wall … Smarter This Time

The industry’s newest answer isn’t a pivot away from the shade wall – it’s a rebuild of the wall itself. Nearly nine years after that first 40-shade launch, Fenty has revisited its original Pro Filt’r matte foundation with almost a decade of community feedback about exactly where the range was still falling short, relaunching it as Pro Filt’r Fluid Flex Natural Matte Longwear Foundation: 50 all-new, neutral-based shades built from the undertone up, in a lighter, more flexible formula designed to move with the skin rather than sit flat on it, with waterproof, sweat- and humidity-resistant wear.

The philosophy behind it is different from the “self-adjusting” formulas elsewhere in the category. Instead of asking one adaptive shade to stretch across a wide tonal band, the bet is that the fix lies in getting the underlying shade science more precise across a genuinely broad range – so the customer still chooses her shade, but the odds of that shade being right go up. It’s a less flashy claim than “one shade fits all,” and, on the evidence of where shade ranges have historically thinned out, arguably a more credible one.

The Limits of a Relaunch

It’s worth being clear-eyed about what a reformulated, neutral-based shade range can and can’t do. Even fifty shades built on more accurate undertone mapping still occupy only a finite set of points along a continuous spectrum – precision within the range doesn’t guarantee a perfect match at its extremes, and no relaunch, however well-researched, can erase the basic difficulty of matching pigment to melanin at scale. What nine years of feedback can do is close the gaps that caused the most friction the first time around, particularly in the olive and deeper-neutral territory where earlier ranges – including Fenty’s own – have historically thinned out.

There’s also a trust question the industry has earned the hard way. “Inclusive,” “for every skin tone” and “your shade, finally” have become such saturated marketing phrases that consumers are increasingly reading them sceptically – as language to decode rather than take at face value. A relaunch built on customer feedback will only keep its credibility if the follow-through data – return rates, satisfaction scores, actual performance across the Monk Skin Tone scale rather than just the six-point Fitzpatrick scale most brands still default to – catches up with the marketing.

The Real Test Ahead

None of this means the shade-matching problem is solved. For many skin tones, particularly at the deeper end of the spectrum, the real test of a range is always in the return rates and the reviews, not the launch campaign. But the more interesting shift isn’t in any single product – it’s the idea that brands must re-earn inclusivity continuously, formula by formula and skin type by skin type, rather than declare it once and leave it to age.

Fenty proved in 2017 that customers would reward brands for going deep on choice. Nearly a decade later, the more useful proof point may be that going deep isn’t a launch moment at all – it’s a maintenance problem. Whether “50 new shades” ends up meaning a materially better match for the customers the first range let down, or just a bigger number on the same wall, depends on whether the industry treats shade-matching as something to finish, or something to keep tending to.

Marie-Antoinette Issa: Meet Marie-Antoinette Issa, the Beauty & Lifestyle Editor steering the lifestyle content across The Carousel, Women Love Tech, and Women Love Wellness. With an impressive career spanning top-tier women's magazines and digital giants, she has written for everything from Cosmopolitan and Cleo to The Huffington Post, Daily Mail, and Concrete Playground. Whether she’s uncovering the latest in wellness for I Quit Sugar or tracking down the best of city life for The Urban List, Marie-Antoinette delivers polished, trend-driven insights that connect deeply with modern women. She is also a travel writer on Women Love Travel.